Speaking of the Olive…

Right next door to Jones Decorating sits the Olive Motel. The motel dates back to 1946. With its “L” shaped layout, rounded corners, flat roof, and classic neon signs, the Streamline Moderne Olive Motel is an iconic holdout amidst the rapidly changing Silverlake landscape.

Back in the dog days of August 2015, I took an evening walk around the neighborhood to cool off. As I turned onto Sunset, the familiar neon glow of the Olive Motel beckoned me to to snap a photograph.

Now you see it, now you don’t.

A couple days later the sign was gone. It had been taken down to make way for some crummy new signs that carry the Olive Motel name but none of the original style.

Out with the old, in with the new

The Olive may have lost its original signs but the motel lives on, perhaps persevering on pure grit. These days, the motel has a seedy reputation perhaps best known for rooms rented by the hour or a murder that occurred there in 2007, but what has always stood out to me is the understated art deco design that holds its own in the face of a neighborhood fast-flipping to gentrification.

The most striking thing about the Olive Motel is the remarkable human behind the design. Her name is Edith Mortenson Northman, the first licensed female architect in Los Angeles.

Edith Northman, 1893-1956

Northman cracked into the man’s world of architecture forging a steady independent career making her mark by designing over 100 buildings including residences, gas stations, motels, churches, temples, war effort projects and factories many of which are still standing today.

The Insley House, Alvira St. Apartments, Villa Sevilla, North Oakhurst Apartments, Berger-Winston Apartment Building are just a few Los Angeles buildings designed by Edith Northman.

Northman was born in Denmark in 1893. As a child, she loved to watch buildings being built but back then such a thing was considered unbecoming for a lady. Edith came to the US with her family when she was 21. During a brief stint as a librarian, she read an article that reignited her fire to pursue architecture.

And that’s just what she did. She got a degree in architecture at USC and was licensed by 1931. Northman soon kickstarted a humble yet successful solo architecture practice with just one draftsman, bucking the odds of the economic depression while being a woman in a highly male profession.

Being a rarity in the species of architects, Edith caught Hollywood’s eye. When Samuel Goldwyn was producing a screwball comedy about the hijinx of a fictional female architect called Woman Chases Man, Northman was recruited to advise on the film.

Art Imitating Life?

Observing on set, she commented that the architect character played by Miriam Hopkins did “quite unbelievable things in the pursuit of the illusive client.”

Outside of her prolific career, Edith Northman strongly advocated for women to enter the field of architecture and construction. She aptly noted that “Women are no longer a curiosity in the field. They are just as qualified after training to design in the many architectural fields as men.”


The Sephardic Synagogue & Hebrew Center of Los Angeles at 5500 S. Hoover St. was designed by Northman in 1934 and built for $26,000. It now houses the A.M.E. church.

Northman also believed in community service, participating in many philanthropic clubs and bringing her skills to the community teaching courses to the general public who wanted to be educated in home building.

Sadly, a diagnosis of Parkinson’s disease in the early 1950’s rendered Edith Northman unable to hold a pencil, bringing a tragic end to a brilliant career. She died in 1956 but certainly not in vain. Edith Northman was a visionary that paved the way for designing women everywhere leaving a legacy of amazing architecture all over southern California and beyond.

Take an architectural road trip through some of Edith Northman’s Los Angeles buildings.

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